Emily Eveleth

Biography
  Images
Press Release
 
 

Chronology
 
   
 
1960
   Born in Hartford, CT
Lives and works in Sherborn, MA
 
   
 
 

Education
 
   
 
1984-87
   Massachusetts College of Art, Boston, MA
 
1983
  Smith College, B.A. cum laude, Northampton, MA
 
   
 
 

Awards
       
 
2002
   Visiting Artist, American Academy in Rome
 
1996
   French Government Grant, Artist Residency Program, Rochefort-en-Terre, France
 
1995
   Art Matters Inc. Fellowship
 
1994
   NEA/New England Foundation for the Arts Fellowship Award in Painting
 
1992
   Show Award, New Art '92, Kingston Gallery, Boston, MA Merit Award, Women in the Visual Arts, Erector Square Gallery, New Haven, CT
 
1989
   Massachusetts Artists Fellowship Program, Finalist in Painting
 
1986
   Massachusetts College of Art, Painting and Printmaking Department Achievement Award
 
   
 
 

Solo Exhibitions
       
 
2008
   "New Work," Danese, New York
 
2006
   "Emily Eveleth," Danese, New York
 
2004
   "Recent Work," Howard Yezerski Gallery, Boston, MA
 
2003
   "Emily Eveleth: Paintings and Drawings," Danese, New York
 
2002
   "Emily Eveleth: Paintings," Reynolds Gallery, Richmond, VA
"Emily Eveleth: Works on Mylar," Howard Yezerski Gallery, Boston, MA
 
2001
   "Emily Eveleth: New Paintings," Danese, New York
 
2000
   "Emily Eveleth: Small Paintings," Hidell Brooks Gallery, Charlotte, NC
 
1999
   "Emily Eveleth New Paintings," Howard Yezerski Gallery, Boston, MA
"Emily Eveleth New Paintings and Drawings," Danese, New York
 
1998
   Howard Yezerski Gallery, Boston, MA
 
1997
   "Emily Eveleth, A Painter Selects," The Danforth Museum of Art, Framingham, MA
 
1996
   Howard Yezerski Gallery, Boston, MA Allen Stone Gallery, New York, NY
 
1995
   NoBIAS, Bennington, VT
Akus Gallery, Eastern Connecticut State University, Willimantic, CT
 
1994
   Howard Yezerski Gallery, Boston, MA
 
1990
   Harcus Gallery, Boston, MA
 
1988
   Harcus Gallery, Boston, MA
 
1986
   Harcus Gallery, Boston, MA
 
   
 
 

Group Exhibitions
       
 
2005
   “Works on Paper,” Danese, New York, NY
 
2004
   “Disturbing the Peace,” Danese, New York
"Full Disclosure," Geoffrey Young Gallery, Great Barrington, MA
"Sexy Sustenance," Lillian Imming Gallery, Emmanuel College,
Boston, MA
"Some of Their Parts," Howard Yezerski Gallery, Boston, MA
"Summer Show," Danese, New York, NY
 
2003
   "One Hundred Years of American Artists, 40 Contemporary Artists," Rochefort-en-terre, France
"American Art," Residence of the US Ambassador, Copenhagen, Denmark
"Sweet Tooth," COPIA, Napa, California
 
2002
   "Painting in Boston: 1950 - 2000," The DeCordova Museum, Lincoln, Massachusetts
"Drawings from the Grinnell College Collection," The Faulconer Gallery, Grinnell College, Grinnell, Iowa
"177th Annual; Invitational Exhibition," National Academy of Design Museum, New York, NY
 
2001
   "Group Exhibition," Lemberg Gallery, Ferndale, Michigan
"Private Thoughts/Personal Demons," The Klemm Gallery at Siena Heights College, Adrian, Michigan
 
2000
   "DeCordova Downtown," The Federal Reserve Gallery, Boston, Massachusetts
"Face Off," Fuller Museum of Art, Brockton, Massachusetts
"Eloquent Objects: The Sense and Sensibilities of Still-Life Painting," Bates College Museum of Art, Lewiston, Maine
"Landscape at the Millennium," Chapel Art Center, Saint Anselm College, Manchester, New Hampshire "Figure, Fantasy & Illusion," Danforth Museum of Art, Framingham, Massachusetts
"New Realism for a New Millennium," The Memorial Art Gallery, University of Rochester, Rochester, NY
 
1999
   "Best of the Season: Selected Work from the 1998-99 Gallery Season," The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut
"Food for Thought," New Jersey Center for Contemporary Art, Summit, New Jersey
"Food for Thought," Hidell Brooks Gallery, Charlotte, North Carolina
 
1998
   "Talent," Allen Stone Gallery, New York
"Notions of Color: Oil Sketching in Maine," Bates College Museum of Art, Lewiston, ME
"Cornucopia," Winston Wachter Fine Art, New York
"Food For Thought," DC Moore Gallery, New York
"Gallery Group," Allen Stone Gallery, New York
 
1997
   "Making a Still-Life: Ten Variations," The South Shore Art Center, Cohasset, MA
 
1996
   "Posing Reality," University Gallery, Fine Arts Center, University of Massachusetts Amherst "Contemporary Still Life," Chapel Art Center, St. Anselm's College, Manchester, NH
"Contemporary Landscapes," Virginia Lynch Gallery, Tiverton, RI
"Northern Voices: The No-Brow Travelling Medicine Show," Christine Price Gallery, Castleton State College, Castleton, VT
"Four American Painters," Musee du Chateau de Rochefort-en-Terre, Rochefort-en-Terre, France
 
1995
   "Talent," Allan Stone Gallery, New York
"Still Life," Virginia Lynch Gallery, Tiverton, RI
"Northern Voices: The No-Brow Travelling Medicine Show," AS220, Providence, RI
"Art for All Seasons," Massachusetts Audubon's Broadmore Wildlife Sanctuary, South Natick, MA
 
1994
   "1994 Exhibition of Painting and Sculpture," Curated by Klaus Kertess, The Berkshire Museum, Pittsfield, MA
"Gallery Group," Allan Stone Gallery, New York
"Palate/Palette," Starr Gallery, Newton, MA
"Art for All Seasons," Massachusetts Audubon's Broadmore Wildlife Sanctuary, South Natick, MA "Group Show," Gleason Fine Art, Boothbay Harbor, ME
 
1993
   "Altered Reality," Howard Yezerski Gallery, Boston, MA
"Seventh Triennial Exhibition," Fuller Museum of Art, Brockton, MA
"Group Show," Barbara Scott Gallery, Miami, FL
"Seeing the Object," Massachusetts College of Art, Boston, MA
 
1992
   "Reality as Metaphor," Danforth Museum, Framingham, MA
"Gallery Group," Allan Stone Gallery, New York
"New England/New Talent," Fitchburg Museum of Art, Fitchburg, MA
"Woman in the Visual Arts," Erector Square Gallery, New Haven, CT
"New Art '92," Kingston Gallery, Boston, MA
 
1991
   "Boston Through the Years," Harcus Gallery, Boston, MA
 
1990
   "New at the Art Guild," Farmington, CT
 
1988
   The Factory, A Reconsideration," Laura Knott Gallery, Bradford College, Bradford, MA
 
1987
   "Enduring Visions," The Copley Society, Boston, MA
"Interior Spaces," The Danforth Museum of Art, Framingham, MA
"Working Women," The Harcus Gallery, Boston, MA
 
1986
   "Nature Observed," The Danforth Museum of Art, Framingham, MA
 
1985
   "Small Works U.S.A.," Gallery 401, Providence, RI
"Games People Play," Faneuil Gallery, Massachusetts General Hospital, Boston, MA
 
1984
   "Summer Show," The Red Barn Gallery, Fisher's Island, NY
 
1983
   "Two Woman Show," Smith College, Northampton, MA
 
   
 
 

Bibliography
       
 
2004
   McQuaid, Cate. "Galleries," The Boston Globe, 23 July 2004, pC20, illus.
McQuaid, Cate. "Immig Exhibit is Clearly Meant for Public Consumption," The Boston Globe, July 23, 2004, p. C20, ill.
 
2003
   McQuaid, Cate. "Fusing Fun and Tension," The Boston Globe, August 1, 2003, p. C21.
Kopolos, Janet. "Emily Eveleth at Danese," Reviews, Art in America, July, 2003, pp. 88-89,
ill.
Johnson, Ken. "Emily Eveleth," The New York Times, Friday, April 25, 2003, p. E34, ill.
Goldstein, Darra. "From the Editor: Judging by the Covers," Gastronomica: The Journal of Food and Culture, Spring 2003.
Cover Illustration, Gastronomica: The Journal of Food and Culture, Winter 2003.
Schickler, David. "Wes Amerigo's Giant Fear," The New Yorker, March 17, 2003, p. 130, ill.
 
2002
   Tanguy, Sarah. "Sweet Tooth," Copia, 2002, pp. 18-19, ill.
Sussler, Betsy. "Emily Eveleth," Bomb, Fall 2002, No. 81, pp. 36-37, ill.
Dobb, Edwin. "Should John Walker Lindh Go Free?" Harper's Magazine, May 2002, pp. 33, 36 &
41, ill.
LaPlante, Eve. "Still Life With Jelly," Gourmet, January 2002, p. 24, ill.
Capasso, Nicholas, Rachel Rosenfield Lafo, and Jennifer Uhrhane. Painting in Boston: 1950 - 2000, Amherst: University of Massachusetts Press, 2002.
 
2001
   Anon. "Emily Eveleth," The New Yorker, January 29, 2001, p. 17.
Hrbacek, Mary. "Emily Eveleth," The New York Art World, February, 2001, pp. 14, 17, illus.
 
2000
   McQuaid, Cate. "The Fuller Presents a Nude Awakening," The Boston Globe, September 24, 2000. Isaacson, Philip. "Still Life Show at Bates," Maine Sunday Telegram, June 18, 2000, p. 3E.
Grau, Jane. "Delectable Doughnuts Offer A Guilt -Free Feast for Eyes," The Charlotte Observer, Sunday, February 6, 2000, p. 3F, illus.
 
1999
   McQuaid, Cate. "Doorways to Mystery; Roiling Dough," The Boston Globe, Thursday, October 28, 1999, p. D8, illus.
Grau, Jane. "So Ripe, So Sweet, So Glorious: Show Looks Good Enough To Eat," The Charlotte Observer, Sunday, August 8, 1999, F.
Gomez, Edward M. "The Doughnut Hole as Muse, No Irony Intended," The New York Times, Wednesday, April 21, 1999, p. E2, illus.
Muller, Mario M. "Emily Eveleth," REVIEW, April 15, 1999, p.27.
Anon. "Emily Eveleth," The New Yorker, April 19, 1999, pp. 13/16, illus.
 
1998
   Sharpe, Lora. "Modern View," The Boston Globe, May 17, 1998, Home and Garden Magazine, p. 22. McQuaid, Cate. "Exploring Liminal Space, Where One Thing Leads to Another," The Boston Globe, March 12, 1998, Living/Arts, p. 3.
Long, Andrew. "Go Figure," Art and Antiques, March 1998, p. 30.
 
1997
   Temin, Christine. "Eveleth Selects," The Boston Globe, June 11, 1997, Living/Arts, p. 1.
Day, Meredith Fife. "Eveleth Selects for Danforth Exhibit, The Middlesex News, May 20, 1997, sec. C, p. 1.
Spirito, Mari. "Emily Eveleth," Arts Media, January/February 1997, p. 28.
 
1996
   Campbell, Lawrence. "Emily Eveleth and Elizabeth King at Allan Stone," Art in America, December 1996, p. 98
New American Paintings, Number VII, Open Studios Press, summer 1996.
 
1995
   Van Siclen, Bill. "Street-Smart Action From the Green Mountain State," The Providence Journal, April 14, 1995.
Dunning, Steve. "Art Review," The Bennington Banner, April 1995.
Karmel, Terese. "From Dolphins to Doughnuts," The Willimantic Chronicle, February 3, 1995, p. 8.
 
1994
   Stapen, Nancy. "National Reviews," ARTnews, October 1994, p. 198.
Grant, Daniel. "A Little Whitney in Pittsfield," The Berkshire Eagle, October 11, 1994.
Gilbert, Sidney. "Allan Stone Mounts a Sensational Group Show," Artspeak, October 1994. Harper's Magazine, June 1994, p. 27.
Griffith, Bill. "A Hole New Thing," The Boston Globe, May 14, 1994, p. 79.
Stapen, Nancy. "Audubon's Birds, Eveleth's Doughnuts," The Boston Globe, March 31, 1994, pp. 61 & 66.
 
1993
   Barr, Peter. "Regional Review," Art New England, Feb/March 1993, p. 41.
 
1992
   Tremblay, Bob. "Trends," The Middlesex News, October 30, 1992, p. 1.
Silver, Joanne. "Art Review," The Boston Herald, November 27, 1992, p. S 23.
Temin, Christine. "Perspectives," The Boston Globe, November 25, 1992.
Carlock, Marty. "The Metaphoric Possibilities of Still Lifes', The Boston Globe, West Weekly, November 15, 1992, p. 11.
Fleischmann, Eric. "Art in Review," The New Haven Register, March 22, 1992.
 
1990
   Silver, Joanne. "Art Review," The Boston Herald, July 8, 1990, p. 41.
Sherman, Mary. "Art Review," The Boston Globe, June 28, 1990, p.46.
 
1988
   Macauley, Ann. "Making Art: Eight Alumnae Artists," Smith Alumnae Quarterly, Fall 1988, p. 6.
 
1986
   Donker, Peter P. "Nature Speaks for Itself," The Worcester Sunday Telegram, November 23, 1986. Stapen, Nancy. "Weekend," The Boston Herald, November 14, 1986, p. 66.
 
   
 
 

Public Collections
       
 
  The Boston Globe, Boston, MA
 
  The Boston Public Library, Boston, MA
      Donaldson, Lufkin & Jenrette, Boston, MA
 
  Eastern Connecticut State University, Willimantic, CT
 
  Faulconer Gallery, Grimnell College, Grimnell, IA
 
  Fidelity Investments, Boston, MA
      Fleet Bank, Boston, MA
 
  Morgan Stanley International Headquarters, NY
      Museum of Fine Arts, Boston, MA
 
  The New England, Boston, MA
 
  Wellington Management, Boston, MA
  home